It’s a feat worthy of mention for an artist (or anyone for that matter) to reach a new pinnacle at precisely the same time as they hit rock bottom.
I don’t have much to say this morning about the show, or the costume set last night. I bet it was wonderful if you were there. I enjoyed what I was able to piece together after paying $30 to experience it in the comfort of home, with friends, on a holiday weekend evening. With that said, let me button up the praise section of this blog and move on to the impolite truths that matter.
Phish:
I don’t want my $30 back. Keep it.
I don’t want your glibly-proffered credit for a future webcast. That’s not what I paid for. At all. Keep it.
I don't want defensive, tone-deaf tweets noting that "many could connect... without an issue." Many people made it onto the lifeboats the night The Titanic sank, but that was cold comfort to those who did not.
What I want is for you to snap out of your interminable sleepwalker's trance and stop neglecting your distribution. I want you to stop behaving as if LivePhish and Nugs aren’t you, and as if the quality of your art shields you from criticism over the quality of its presentation -- which for most of your thousands of your loyal fans and customers last night ranged between non-existent (first 30-40 minutes) to maddeningly pixelated and glitchy (remainder of the night).
Your fans have been extraordinarily patient. We have politely endured years of burpy, buffering streams, surfacing to remark publicly on it after only the worst cases. Are you aware that these problems are chronic? Do you know that last night’s webcast debacle is notable more for when it transpired than how it transpired? We’re used to this shit; we’re just not used to it ruining a high holy day.
Your site traffic metrics aren’t published and I’m not sure how many people opened their wallets last night to watch at home, but I’m willing to bet your webcast audience was at least 2-3 times the audience you had assembled in the room last night. I could be shy by a factor of four or five for all I know. And while it doesn’t necessarily follow from that that our experience is more important, nor does it follow that we should be your careless afterthought.
What you don’t seem to understand is that it doesn’t need to be this way. Live event streaming on the internet stabilized years ago, and bands and festivals have been delivering seamless high-definition concerts to home audiences since before you reformed in 2009. There are vendors capable of managing this for you flawlessly, in their sleep. Yet you insist on fielding the junior varsity.
I don’t know why. No one understands. Maybe Nugs doesn’t take the same scrape off the revenue pile that more qualified hosts do. Perhaps Brad Serling smells nice, or always buys the pizza. Maybe you’re just loyal people who believe in dancing with who brung you.
But Nugs didn’t brung you. We brung you. The party host sitting at home pounding refresh while her party guests politely try to figure out something else to do to pass the time while Phish (notice I didn't say "LivePhish") wets the bed? She’s the one who matters, and she’s holding you accountable now.
Not your partner.
You.
You aren’t the first artists to mistakenly imagine that distribution is someone else’s concern, but you don’t need to cling to errant assumptions. The time has long since passed for you to get this right. Nugs didn’t have a bad night; Nugs is a bad partner who’s either incapable or unwilling to address fundamental issues of quality, customer experience, and brand equity, and you need to expedite your divorce before your friends stop returning your calls.
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The live phis app still sucks. Actually it is worse. The featured show use to be the previous night.
And yeah the app sucks.
I gave up on Phish streaming after the first night of the Santa Barbara run was so messed up for me that I gave up "watching" after the first set. I do a full cleanup of my computer for these kinds of things and it still crashed and was glitchy repeatedly. No mas, it's not worth it just to be able to watch the CK5 lightshow.
There SHOULD be a refund and not just a credit for future webcast. Phish SHOULD reconsider Nugs as a partner. Nugs has been a series of embarrassments and failures. The way they treat their customers (fans) in a condescending, arrogant and 'couldn't be bothered' tone is what is most troubling.
Also troubling is the vindictiveness of people like you that can't ever hear a single complaint about Phish without resorting to personal attacks and telling the person that is thoughtfully sharing their opinion that they should "never listen to Phish again".
Phish is a rock band. Not some God-deity beyond reproach.
It is his opinion.
If you have yours: share it. Tell people how you feel about Nugs & LivePhish without going off the rails. (and double-posting).
I'm with Chris though: last night was frustrating and a symptom of a problem that has been festering since 2009. Enough is enough.
LOL, this. Truly unfortunate last night. I luckily managed to get through during the mule duel, but my frustration and anger prior to that parallels the sentiments here to the letter. Nugs.net is the post-industrial Detroit of Internet sites. There must be some contractual obligation involved, but as @bertoletdown strongly suggests, that's no excuse.
As for the show, to me it was the strongest effort of 2014, high praise I give without hesitation. The costume set, conceptually, proved more creative and engaging than any classic rock cover album had yet realized. Do we even need to discuss how righteous and glorious that late third-set Sand was?
However, your language in this piece is not respectful. Your personal attacks on the band to try and shame them over this is unfair; certainly you don't speak for me or many other fans with such vitriol coming from your keypad.
I've only paid for one webcast this tour. I expected choppiness and I got it. I'm not happy about this either. I agree it needs to be dealt with. All I'm saying is that you could have made your point with less rancor. These guys are musicians first and foremost and I'm certain that these management issues have been delegated to other people. Perhaps the greater Phish entourage is what you meant by saying "Phish", but no matter, we can find more civil ways of communicating our frustrations, I think.
My clarifications aside, I certainly agree with you wholeheartedley that enough is enough. Don't promote the thing if you can't deliver. I think they should change services and run a couple of free events to beta-test it and then come back with the paid service after that.
And not the staff's either, it should be mentioned. I'm throwing myself on the grenade to some extent but I stand behind what I wrote. It was meant to be bracing, but I don't think it is uncivil and I don't think it is rancorous. If it's poorly received in the wake of a great show, I'm a hundred percent willing to take the heat. The band works too hard at what they do and their product is too important to be trusted to amateurs. The band deserves better but it appears that they are both the only ones capable of addressing the issue and at least somewhat unaware that the problem exists.
I'll be in the band's corner until I die. Tough love is sometimes called for.
I was also unsuccessful in watching the show until YouTube late in the first set. My world did not come crashing to an end and neither did yours. I can't believe that this was actually posted as a blog on phish.net. I'd expect it as a rant on the forum, but not as a blog posting. You all need to put this in perspective.
From what I know Nugs has worked hard to build backup/redundancy/failsafe options for streaming from the venue. They have multiple paths going for every webcast, including a recently purchased satellite backup. Last night's issue seemed to be a data center issue, which must have been incredibly frustrating, because that's a third party vendor that Nugs does not control. Also: 9 times out of 10 the stream issues that people experience though (glitchy feeds that cut out) are on the user side, not the server side.
What Nugs needs to do, and quick: explore redundancy at every point in their chain and take a Customer Service 101 class (though they have come a LONG way in this area, at Phish's direction). They simply can't afford to lose any more good will. Phish would be smart to explore alternative vendors that can power the stream in a turnkey way.
I'm sure it was incredibly frustrating for you Bertolet if you were throwing a Halloween party to not be able to connect. I'm sure backstage at the venue they were FREAKING THE FUCK OUT too. Very smart of them to pull the ripcord and port the stream to Youtube last night. That was the nuclear option, so I'm sure it was not an easy decision.
But a little positivity, patience and benefit of the doubt would be helpful here.
I webcasted Bonnaroo a few years ago without a single dropout all WEEKEND. This was probably 2010, maybe 2011.
Positivity and benefit of doubt have been given in abundance.
I noticed you joined the site today. Just to type this? Okay.
Webcast fans, couch terr heads, and all of the others bitching from the sidelines didn't "brung them" anywhere. Go complain to Nugs.net
Halloween 2014 ruled
this needed saying, @bertoletdown. thanks for that.
some childish bullshit in this thread. c'mon now.
And exactly what @waxbanks said above. He eloquently nailed it.
I also pulled up Twitter and my feed was jammed with others having exactly the same problems. My laptop sits right next to my router for these events, and I even transferred the ethernet cable from the back of the router straight into my computer, just in case it was the wifi signal coming from 2 feet away. That didn't do anything.
I appreciate the second statement I left in your quote and don't disagree with you. Still think there is a more productive way to make the point than ripping them on a public fan site. Maybe I'm wrong but that's how I feel about it.
I never really come on here and read comments, but I'm kind of taken aback by the lack of maturity. As others have said, if you disagree just say so. Name calling, etc.? Weird.
So we're at the point where we can either just stop purchasing webcasts or we can start shining a light on the situation in no uncertain terms so that those who can make a difference will do so. When LiveNation/TicketMaster drop the ball during the ticket sale process, no one hesitates to call them out. Why is this any different? It's not personal. This process is broken and it hasn't been addressed (certainly not with anything resembling transparency). It needs to be.
There's a very upbeat recap coming from a host of contributors, btw. I'm listening to the 2nd set right now and rather ecstatic about that. So great.
Then again, to your point, this would have lessened your desired effect.
This site is great and whether I agree or disagree you're the first group I look to when I want the pulse of the Phish community. Thanks for all you folks do for us on the fringe.
Some decent points here but how can you realistically blame the band?? Don't blame them, blame their management. How do you know the level of involvement the band has with the streams? Probably not much. 100% agreed that they need to burn Nugs and get a real, professional vendor to handle the streams. Nugs is rookie noob time. They just came out with an upgrade to the app? A bit slow to the party. When they're charging $20-$30 per stream, they can afford a 5 star IT dept.
Don't put it on the boys unless you know their level of involvement. They focus on the amazing music that we all are magnetized to, not this shit. At the level they're at, they should be doing everything at gold standards. Nugs is at the Mexi brick weed level.
Well written rant. It needed to be said.
I, like many others, was beyond frustrated to begin the night last night. I left another event early in order to come home and webcast the show with my significant other only to be totally shut out from livephish.com. I was totally unable to even purchase the webcast much less view it. What an unnecessary frustration.
I commend the decision to switch over to YouTube mid-stream. Great call! That said, it should never have come to that. Will this cause me to balk at buying webcasts in the future? Yes. Yes it will.
It's no surprise to hear from the "yes, please, piss in my ear" contingent. You can continue to slurp up whatever crap is shoveled your way. For the rest of us that expect better, well said, CB.
What's the YouTube link for tonight?
Some of us can't get to shows that far away or have young kiddos to take out trick or treating and rely on the cast to celebrate just like everyone else. Not getting this right is a big deal and should be reviewed by the powers that be. This is more than a glitch during a stream. This was total meltdown. YouTube did provide the best stream I've experienced. Second Set was some of the coolest stuff they've ever done and that Sand was straight fire.
So after all this, why would I keep streaming?
Seriously, what does it take to just get a show review on this site?
But what happened last night was inexcusable. It has nothing to do with how hard it is to stream video, which I will admit is technologically challenging. The LivePhish.com website was unavailable for an extended period. Not just the stream, the website. People couldn't even get to their stash to begin to try to watch the video. This was a failure at serving simple HTML. This indicates either a high level of incompetence or unpreparedness for the interest in the most anticipated show of 2014. Or both.
What we pay for when we buy a webcast is a live stream, as the show is happening. An archived stream doesn't make up for it. A code for a new stream doesn't make up for it. What will make up for it is if this never happens again. And if Phish can't ensure that, they should stop selling streams for top dollar, because the product isn't worth it.
Then, once they did the right thing and switched to YouTube, they tweeted that many people could connect. What message were they trying to send with that tweet? Were they looking for congratulations? Talk about completely missing the point...
About the webcasts, I never partake, so , I could care less. I know I will have the soundboard in my hands by the next morning and can cue up a youtube video of the show the next day. So, why pay $30!!! for a video of guys that are ugly and just stand there anyway...I mean, hell, I barely watch when I am there. Too busy dancing, or have eyes closed. I never understood how one watches music anyway. Oh well, must suck to be the dude that wrote this piece.
I have been a devoted fan since the mid-90's and truly believe the band has the best intentions of engaging and delighting it's audience.
As someone who researches web analytics, creates content, and implements marketing strategies for a living I feel like I have a different perspective on the debate over the value and effectiveness of LivePhish. What is happening with the fan base now is a crying help for change. Phish, as a company, is alienating it's audience by allowing corporate marketing to run their business.
Obviously, Capshaw and MusicToday is a business decision by the band to alleviate the pressures of managing the corporate side of things. In order to do everything they would want to do as a band, from a marketing and content delivery standpoint, would require them to employ a ton of people. They are at a place where they shouldn't have to give a damn about this, and in all fairness they have worked way too hard to be in on every detail of how their business is being run. And we should support that idea. They should be allowed to concentrate fully on the music and have a group of people they trust delivering their digital content and running their business.
It's not 1994, running a company has changed dramatically over the past 20 years. That being said, I feel like a boutique marketing firm would be a better fit for Phish. The cash they lose on MusicToday would be better spent on a group of people who know their audience. MusicToday probably claims to know their audience, but that "knowledge" comes from corporate marketing folks who view fans as dollars and cents. Their main concern is getting LivePhish users to fit into their business plan, not wow them with the experience of being a part of the music. MusicToday might work for Dave Matthews or Tim McGraw fans (other MusicToday clients), but we Phish fans understand the uniqueness of our relationship with the band and are confused and upset at how that relationship is being tossed aside for the bottom line.
Last night, at best, there were between 5K-10K users watching the stream on YouTube. LivePhish customers who paid for this are a part of this number. Let's assume, and I'm being super generous, that 7,500 of these people were people who paid and ended up on YouTube as a solution to their undelivered LivePhish paid stream. At $30 a pop that's $225,000 in revenue. MusicToday slobbers at this number. They want this for every live show, and I'm sure the band would be stoked to make that much for a special event too. They deserve compensation for including the Couch folks. The problem is that the method in which Phish's content is being delivered is not effective- or what the fan base would expect from their favorite band.
Mike loves Couch Tour and posts Instagram photos regularly joyfully poking fun at it, so it's apparent that they know how we are engaging with them and like the fact that people are following along. Why would they take away the ability for fans to listen to the latest show for free and in essence kill an obviously popular method to participate in Couch Tour. And during a tour where a majority of east coast are counting on a stream? With social channels like Mixlr, UStream, and Livestream, fans are following along to free audio (sometimes video) streams every night of tour. The demand is for a free stream not a paid one if you look at the numbers beyond LivePhish. The devotion of the fan base would pay a nominal fee if the pricing was scaled in a way they found appropriate. I've watched video streams on UStream with upwards of 4,000 people before, chatting and watching for free. This displays that there is an audience for this service, it's just not being marketed correctly.
Who will facilitate fixing the disconnect between the fans and Phish's marketing decisions? Would you pay $5 per show for an audio or video stream? Would you pay $0.99 to listen after the fact as the old LivePhish app allowed fans to do for free previously? Hopefully this is what MusicToday product marketing folks are asking. As a Phish fan I want to pay them to listen along, just not the way MusicToday expects me to. Ultimately, some change needs to happen for Phish's audience to engage with their content in a way that gives the band some kind of revenue and entice fans into spending. All it takes is one person to broadcast their LivePhish video stream on UStream to allow thousands of fans to watch or listen along for free and, to me, that doesn't seem fair to JEMP or what their business model should be.
Last night when I heard Is This What You Wanted I thought, yes a free stream is almost what I wanted. That may not have been the context that the band envisioned with that song but it's definitely how I interpreted it.
Thinking back to refreshing Andy Gadiel's page back in the 90's I'm reminded of a time when just knowing what they were playing was a joy. We need to get back to that feeling all dollars and cents aside. Some kind of action is required and I hope our voices, questions, and demands are being heard.
I am a longtime lurker, yes. But I know a bit about the tech involved, and it really is more involved then most people think, so wanted to give my two cents. Appreciate the dialogue happening here.
Intuitively, it would seem that:
a. Charging for access limits your users and your traffic;
b. Once authenticated (i.e. logged into LP and having purchased the show which then resides in My Stash), you're just another user.
I guess I'm missing something. Premium Spotify members don't suffer more dropouts than users on the free service; in fact, I've never seen Spotify crash or sputter, going back to my early days as a member. I set my playback quality as high as it'll go, as well.
YouTube has a paywall for stuff like this, no? I suspect their paid streams are pretty reliable. Thank you in advance for whatever insight you can provide on the tech side of the equation.
It's no surprise to hear from the "yes, please, piss in my ear" contingent. You can continue to slurp up whatever crap is shoveled your way. For the rest of us that expect better, well said, CB.[/quote]
It's completely inaccurate to say that we are in the "please, piss in my ear" contingent. I have ordered approximately 2 dozen webstreams from livephish.com. I have had problems with exactly 2 (last night and Chicago last year). In both instances, Livephish.com took all appropriate steps to ameliorate the situation as best they could. I live in a world in which mistakes happen. I don't expect perfection, I expect responsive customer service, which I am satisfied that I got.
1. I was able to watch the show live via YouTube before the end of set 1
2. I have 48 hours to watch it On Demand
3. Oh yeah, as an added bonus, even if I don't purchase the show, I can stream it from the live phish app.
4. I now have a voucher I can use for another HD webcast in the future-- and oh yeah, I'll get to stream that show in perpetuity as well.
I don't like my ear being pissed in any more than the next guy, I just understand the difference between piss and light rain showers.
You posted a negative blog in the space where phans expect a glowing review of a stellar Halloween show; of course you're going to get pushback!
Next time, let the review post first... or at least let the glow from everyone's evening wear off before buzzkilling. I actually agree with your sentiment, but I certainly don't think this should be the first thing everyone reads after THAT show. This is actually phish.net's fault, they should be employing the best editors money can buy to catch these issues I can see the headlines now: Phish signs contract with Youtube, Phish.net contracts with HuffPo
I buy webcasts on special occasions such as Halloween and NYE. It's sad enough not to be there then add tech problems...
We can do better, that's all.
Get it right already.
Thanks for writing this, Chris. It needed to be said. Many of you who are critical of this opinion can't distinguish between the band and its management and business partners and think everything about Phish needs to be fluffed; you need to get a clue.
By the way, as to you who don't think this opinion should be on Phish.net, this IMO is exactly where it needs to be. Phish.net speaks for the organized fan base on the Internet as it always has going back to 1990. And it's not incidental that the fan charity that runs this site has invested (and continues to invest) thousands of dollars and countless man hours of unpaid volunteer effort working on the code base behind this site to insure that the site doesn't crash when up to 30,000 page requests hit on the servers at the same time during a show, something Nugs and TicketMaster need to figure out how to do as well.
Seeing that $29.95 debit card charge on my online bank statement today makes me mad. If it weren't that it was a Phish business partner, people like me would be on the phone today asking for the charges to be reversed. Some email acknowledgement (and apologies/refund) from Nugs.net/LivePhish today would also have been appropriate but nothing but crickets.
The time I spent trading tapes and waiting, weeks or months, to hear hq hi gen recordings of incredible shows was way better than the time you babies spend bitching about bunk webcasts. Seriously, find another band to like. Faaaack, the titanic quote is the best, I feel sorry for you.
I had a blast last night doing other stuff for Halloween, and am sooo looking forward to listening to the set. Could care less that a bunch of people paid thirty bucks and got fuckall in return. You probably buy tickets from fucking stubhub too. Good luck in life.
The whambulance is on its way now.
It is an undisputed FACT that Nugs.net collects money for a promised product, and delivers something that is broken. It does not deliver the product which it advertises and charges for. And when its customers alert them to the problems and seek remedies, they are at best aloof and at worst arrogant and seemingly contemptuous of their own customers for saying, "Hey, you sold me a broken product. Can I have one that works, please?"
It is mystifying to me that any fans would have a problem with someone saying this. These problems need to be fixed. The band's customers are getting ripped off. Period.
Someone actually said the original poster is "sooo lucky" that the webcasts are offered in the first place, so he shouldn't complain when he buys a webcast and it doesn't work. Let me ask: is that the attitude YOU use toward ANYTHING in the real world that you buy? "Oh, this tv I just bought doesn't turn on...but I'm soooo lucky the store sells them at all, so my bad, them's the breaks"???
Well there have been countless (by which I mean thousands, perhaps tens of thousands) tweets at LivePhish, almost all of which have gone unanswered. I've also been shown some fans' detailed, polite private emails to LivePhish noting the problems and cheerfully suggesting solutions...which went unanswered. Not even a form letter saying "thanks for writing." Nothing. Silence.
So now, here is a post about the problem on the leading, best-read fan site.
There's a much better way, you complain? What is it you had in mind? Please respond.
We have grown so used so fast to digital access to shows that we've lost our gratitude.
Nothing but entitled privilege here.[/quote]
I'm not sure you understand the problem here. The video stream of Halloween was not offered as a free thank-you to fans, out of the warmth of anybody's heart. If that was the case, and someone was complaining bitterly that it did not include the first half hour of the show, and was never delivered in HD, I could see your point
But that's not what happened.
It was a product.
A product that cost $30.
It is seriously your contention that the original poster should feel "gratitude" for paying $30 for a stream and then not getting a stream?
You are right, he does sound entirely entitled. Because he WAS entitled to receive the HD stream that he paid for.
That's the basic foundation of our economy. Do you feel entitled to receive the things you pay for, or just "gratitude" that you were told it was onsale and had the chance to pay for it, even though you never actually received it? You are making no sense and should apologize for being rude to a thoughtful fan who is trying is best to make it so you and your friends can receive the live streams that you pay for. Because that is not currently happening.
As for the live webcasts, they have been a problem since 2010. Four years in, the problem is getting WORSE. No, the streams aren't perfect yet. No, the streams aren't improved. They are actually getting worse. After four years.
Most troublingly, Nugs consistently fails to improve from experience--look at Northerly Island. One year the stream was a disaster. The next year they offered a stream again, and it was a disaster again--and Nugs cited problems with the venue's internet infrastructure. The same infrastructure that was present the previous year. Yet they planned another webcast, promoted it, charged for it, and then threw up their hands and said "not our fault" when the original experience was replicated. I don't notice them giving any money back.
So exactly how much patience are you suggesting? Will five years of patience do the trick? Or do you recommend six? And in the meantime, how many hundreds of dollars should each fan donate to Nugs for products that don't arrive, while maintaining the "positivity" and "benefit of the doubt" that you prescribe? At one point would you say it's appropriate to complain?
It's interesting that you were so moved to defend Nugs that you created a new account to do so, and reference details about the internal operation that are not publicly known. Who are you speaking for? Actually, just, who are you?
We all love this band, but let's not pretend this isn't a business in which a proprietor is selling goods to a consumer and the consumer expects the goods to function as intended.
I applaud and would stand right alongside the poster. Kudos I guess for stating the obvious...
@dunwyth said: We all love the band and are typically very positive and given benefit of the doubt many times. It gets to the point where enough is enough. Curious though: With your calm demeanor and attitude that it is all rainbows and unicorns: Did you try webcasting on Halloween? Had you paid for the stream?
There is very little proposed in the original manifesto. Mostly complaints and comparisons used as reasoning to support an entitled opinion.
If we never meet on tour that is fine. I don't really go "on tour" anymore. That was my point. You can love Phish and move on to other things. If people want to see every phish show and phish is willing to offer webcasts then great. If your car breaks down on the road to the show do you throw a tantrum about the maker of the car and make remarks of how they do nothing to support you? It is a reality of the choice people make.
This whole issue is ridiculous. "I paid $30 for a webcast and so I am entitled to a product." Cool, I understand. But if it doesn't work out, take it like a grown-up, save the conspiracy-esque drivel and let your actions and dollars speak for you by not spending them on this product. STOP ORDERING WEBCASTS. Request a refund. Don't take up space here with some waste of space commentary on how a night was ruined. The level of disappointment expressed in the original statement could have been said in one paragraph and made a better point.
Have a good one.
"It is seriously your contention that the original poster should feel "gratitude" for paying $30 for a stream and then not getting a stream?"
No. It's seriously my contention that the band did what they could to fix the problem including delivering a stream that worked in the end PLUS provided a free stream on YouTube PLUS gave a free show in the future for those who payed $30.
That's called customer service.
I appreciate if a fan is trying to give constructive feedback, but this is not constructive nor feedback. It's whining.
I'm curious as to whether you apply this metric to your own life. When your boss, significant other or friends chastise you for the inventible screw ups we all do as human beings, do you take responsibility, make amends and take corrective actions, or do you brush off such valid criticisms as "whining"? If the latter, how is that working out for you?
I'm almost forty. I come from a land of chasing down tapes and SASE sent across the country. My first modem was 5600 bps. The fact I can stream a show live on mixlr or watch it via webacast was a pipedream when I came on the scene. I wake up every morning and download the SBDs. It's so very easy now and I don't take it for granted. I also don't cry when it doesn't work out exactly the way I want it to.
It should be fixed. The technology is there. I just took exception to the ROCK BOTTOM part. Priorities.
First off, Did you really just compare not getting a webcast to the Titanic disaster weird somewhere around 1000 people died? I wonder where Chernobyl and the Holicaust stand in your me-first world of spoiled little brat problems.
Ok, Live Phish's new partnership got off to a rocky start, but I have a hard time believing that they weren't prepared. I'm willing to bet that the free webcast to end summer tour on EST got a large number of hits as well and I was problem free.
The only time before this in the past two years I've had webcast issues,I rebooted my modem and the problem went away.
The live phish tweet was unfortunate, but if they said "those connecting with mobile devices have had no problem" -that statement was true. I blue toothed from my cell the entire time until the free you tube stream came up.
The fact that they gave us the free you tube streak speaks volumes of their determination to do what was right. They acted quickly and decisively. Less than 30minutes into a five hour show, they were making amends. Less than half hour later, they were offering a free future webcast.
What you wrote didn't "need to be said." They were the rankings of a glass-half-empty, angry, butter person whose priorities are desperately out of whack. For all the pain suffering poverty hunger disease in the world - your panties are in an uproar over a thirty minute delay watching a thirty year old rock band you've seen 100 times before.
If you are this angry over a 30 minute delay met by prompt and decisive action that resulted in all of us getting a free webcast -if hours later you are still boiling with rage over a concert you actually got to hear - then you need to seek some help and I pity whoever lives with you if this is how upset you get over something so insignificant.
It's really simple. Over the years, the band and organization have acted in ways that give the impression that making a buck and treating fans well are not competing priorities. They don't apologize for making money, and the key to their ability to turn a profit is earning and keeping fans' goodwill. So far, so hippy.
OP isn't attacking Phish. That ought to be obvious to anyone who's been around for a while. OP is pointing out that Phish's actions are not serving their own interests.
If I can get political for a moment, it's like pointing out that invading Iraq is, maybe, not the awesomest idea in the world. Maybe it's not really justified. Maybe it will create or exacerbate more problems than it will solve. Dissent isn't treason. It really can be patriotic. Really, the knee-jerk, defensive bashing of OP looks a lot like "It's really simple. You're either for us, or you're against us. You don't have a choice. Either you support the war, or you support Bin Laden."
That had the intellectual integrity of a temper tantrum in 2003. While Phish shows really aren't life or death, some of the above comments seem equally pants-on-head stupid.
1. Phish wants to treat fans well, because their business model depends on loyal fans treating the band well.
2. LivePhish video streaming kind of sucks, and it pretty much always has.
3. Streaming video will always be prone to the occasional glitch, but it doesn't need to suck as badly as it so often does.
4. Acknowledging the basic truth of this, and responding to it, will generate goodwill among fans, and may build fan/customer confidence in future retail/streaming offerings.
5. Everyone wins.
Speaking only for myself, I stream 1-2 events per year. I'd be willing to pay for several more, possibly even all of them. As it is, I only do so when there seem to be no other interesting options. LivePhish is a $20 lottery ticket. If there's even a half-decent film that I haven't seen yet, that wins and streaming Phish loses. I learned a while ago that, while Phish is great, so is a lot of the rest of the world. Sometimes, I'm just not in the mood for a hassle.
While you've invited me to draw lots of pejorative conclusions about you (as you did about my mental health and the well-being of my family, among other facets of my existence), I'm going to refrain from doing so. I suspect you're a fairly decent person in real life who just hasn't figured out the whole "how to disagree on the internet without insulting people" thing.
We love Phish and that's why we are passionate and we're entitled to say it was a frustrating mess. That is the nature of our community. We debate the good, the bad and the ugly.
Keep posting!
People are always so quick to defend Phish when they are "attacked" in any way (let them piss in your ears). Chris wasn't attacking Phish, he was pointing out how poorly run LivePhish is. And poorly run it is. 4 years since the last update? Streams behaving like the 2000 Vegas stream, yet it's 2014? Yeah, that's garbage.
People say this has nothing to do with Phish the band. That's ridiculous. If it comes from Phish, Inc., it ultimately goes back to JEMP. I understand why they made Phish, Inc. a bare bones operation after Coventry. And with that bare bones operation came the outsourcing of Phish management to Red Light. And that is where the issue lies, IMO. If Dionysian Productions were still managing Phish, I don't think the LivePhish debacle would continue. Not sure where Nugs falls into the Red Light / Dionysian comparison, but I truly if believe if Phish were still actively engaged with all things Phish, A-Z, the way they were before the previous dissolution of Phish, Inc., things would be different.
Our love for the band enables them to avoid doing something that literally every single other huge band has to do - spend millions on marketing. All they need to do is announce a tour and we happily do the marketing for them and buy up the tickets instantly. This creates an incredible overhead for them that no other band enjoys. In return, their partnership with nugs.net comes across as ill-advised at best and a money-grab at worst. As a fanbase, we have proven that when Phish gives, we give right back. They need to stop partnering with a company that's only interesting in taking. It's not a very Phishy thing to do.
I feel bad that the OP, and all the head-nodders on this thread, had a bad night. I really do. Because Phish had a really really great night. Historically great. And, I'm thoroughly entertained by the b-school 101 discussions about the business and "brand" of Phish in the comments. Wait, did someone say BRAND? Well, with all due respect to the second rate education that your parents have/are no doubt paying for, you have zero - and I mean zero - idea what you are talking about. I would advise you to drop out of b school or your go-nowhere mid level marketing job immediately and go sell grill cheese on the lot, but that would require business skills that you don't and will never have.
Let me break it down: Phish's future rests solely (as in, solely) on their ability to play inspired, creative, transformative music. It is Randalls, it is the tahoe tweezer, and it most certainly is Vegas 2014. They melt faces, and we supply the faces. That's it.
Need more? If their playing is blah, and Live Phish is great, then they have nothing. If the playing is great, and LivePhish is below average, they still have it, you dig? Anything that distracts from the music, is just that, a distraction. I do not - and you should not - want them to get more "involved" in the business or phish, or the "distribution" of phish - because that means they are going to be less involved in the music of Phish, and that is all I care about. LP is, and will always be, a bonus. I mean, the person above who said something about Phish "FREAKING OUT" backstage (between sets I and II I presume) about the LP problems - please. I have no idea what they were doing or thinking or saying, but if I were to lay a bet it would be putting on costumes and getting ready to throw down an hour of the most out-there shit they have ever dropped, with a full theatrical extravaganza ta boot. ta boot.
The timing of this thread in relation to the events that were happening on stage the same weekend - could there have been a more tone deaf time to express these complaints, which what, amounted to 30 minutes of a busted dinner party until someone went nuclear and involved youtube? I would say no, but then again, the titanic was used in the original analogy, so there is apparently no ceiling here on tone deaf.